7 of the best gastropubs around Ireland
7 of the best gastropubs around Ireland

IMAGE

WIN a luxurious 2-night stay at Fota Island Resort
WIN a luxurious 2-night stay at Fota Island Resort

Edaein OConnell

Cocktail Club: For something out of the ordinary, try this green tea infused tipple
Cocktail Club: For something out of the ordinary, try this green tea infused tipple

Megan Burns

Real Weddings: Sarah and Karl’s festive celebrations in Co Wicklow
Real Weddings: Sarah and Karl’s festive celebrations in Co Wicklow

Edaein OConnell

Lisa O’Connor talks art, activism, and the magic that happens when the two collide
Lisa O’Connor talks art, activism, and the magic that happens when the two collide

Sarah Gill

Friends as family: How the company we keep can change our lives
Friends as family: How the company we keep can change our lives

Roe McDermott

Poppy O’Toole (aka Poppy Cooks) shares her life in food
Poppy O’Toole (aka Poppy Cooks) shares her life in food

Sarah Gill

My Life in Culture: Director Louisa Connolly-Burnham
My Life in Culture: Director Louisa Connolly-Burnham

Sarah Finnan

The IMAGE Weddings 2025 Ultimate Venue Guide is out now!
The IMAGE Weddings 2025 Ultimate Venue Guide is out now!

Ciara Elliot

How to wrap a cylindrical gift: try this step-by-step guide
How to wrap a cylindrical gift: try this step-by-step guide

Megan Burns

Image / Editorial

Andrea Horan on her three Fs – feminism, femininity and fun


By IMAGE
08th Mar 2023
Andrea Horan on her three Fs – feminism, femininity and fun

Andrea Horan is an activist, the founder of kitsch Dublin nail bar Tropical Popical and a passionate advocate of the three Fs – feminism, femininity and fun.

I’ve never been a follower of fashion or trends. Instead, I’ve always had an eye for the extravagant and the alternative, and for this reason, I’m happier sitting on the outskirts of the mainstream. When I opened Tropical Popical, I never felt under pressure to try and appeal to everyone. I was happy for us to find the people who loved our vibe rather than dilute it for a wider audience.

My style suggests that comfort and glamour can live harmoniously.

When I dress in the morning, I’m ready for work, dating, partying and anything else the day throws at me. What I wear has to be comfortable, and smart enough to project authority, but always with what I consider a sexy edge.

The pieces I wear are quite basic; the vibrancy comes most from my accessories. In the past, when I’ve gone through difficult times, I’ve put on weight. My size wasn’t catered for then, so I had to get creative with accessories to continue to communicate who I was through what I wore – my personality hadn’t changed, just my size. I can shop standard sizes now, but am I more deserving of beautiful clothes simply because my body is smaller?

Am I more deserving of beautiful clothes simply because my body is smaller?

Getting dressed is not and should not be a moral issue. I don’t shop very often; I’ve owned most of the pieces in my wardrobe for years. I’m not a hoarder, though. I only buy items I love and rarely throw anything out. My wardrobe is a hotch-potch of pieces that I rehash in different ways. Each item takes on a totally new lease of life depending on what I pair it with. My style icons are Joan Collins in Dynasty and Elektra in the BBC drama Pose because they are power looks that celebrate femininity. Too often, women are asked to sacrifice femininity for what is perceived as strength. Each of these women projects strength, but celebrates the power of softness and vulnerability too.

Too often, women are asked to sacrifice femininity for what is perceived as strength.

This is what I aim for when I get dressed – strength, kindness and empathy. I love the political statements Natalie B Coleman and Richard Malone make in their collections and the vibrant prints and inclusiveness of Helen Steele’s designs. It’s always good to remember, though, that while fashion is art, a thing of empowerment and a bringer of joy, at the end of the day, we’re talking about clothes.

Portrait by Doreen Kilfeather. This article originally appeared in the June 2019 issue of IMAGE Magazine.