I never leave the house without… my phone, realistically. I try not to forget a tin of Vaseline. I have many of them in rotation.
The piece of work I still think about is… the film My Summer of Love by Pawel Pawlikowski. It feels very personal to me and is so beautiful.
The best advice I’ve ever gotten… I can’t think of any, to be honest. Not much advice is eternal. Prayers might be better.
The art that means the most to me is… Edna O’Brien’s work means a lot to me, it speaks very directly to my experience of growing up in the countryside in a very patriarchal era.
My favourite moment in Blue Road: The Edna O’Brien Story is… the part that features the short film shot by Edna’s son, Carlo, when he was a teenager. He thought he was making an adaptation of Edna’s book Night but it’s really like a documentary of Edna’s childhood. It’s a very moving sequence towards the end of our film.
The most challenging thing about being in film is… the precarity.
After I wrap on a project, I… double child-mind.
If I wasn’t a filmmaker, I would be… a journalist/writer.
Photography courtesy of Sinéad O’Shea.