This Portobello home has been injected with light, flow, and zingy colour
This Portobello home has been injected with light, flow, and zingy colour

Megan Burns

WIN a €300 voucher for a luxurious stay at the Dylan Hotel
WIN a €300 voucher for a luxurious stay at the Dylan Hotel

Edaein OConnell

3 high-protein sweet treats to enjoy this Christmas
3 high-protein sweet treats to enjoy this Christmas

Edaein OConnell

7 of the best gastropubs around Ireland
7 of the best gastropubs around Ireland

IMAGE

WIN a luxurious 2-night stay at Fota Island Resort
WIN a luxurious 2-night stay at Fota Island Resort

Edaein OConnell

Cocktail Club: For something out of the ordinary, try this green tea infused tipple
Cocktail Club: For something out of the ordinary, try this green tea infused tipple

Megan Burns

Real Weddings: Sarah and Karl’s festive celebrations in Co Wicklow
Real Weddings: Sarah and Karl’s festive celebrations in Co Wicklow

Edaein OConnell

Lisa O’Connor talks art, activism, and the magic that happens when the two collide
Lisa O’Connor talks art, activism, and the magic that happens when the two collide

Sarah Gill

Friends as family: How the company we keep can change our lives
Friends as family: How the company we keep can change our lives

Roe McDermott

Poppy O’Toole (aka Poppy Cooks) shares her life in food
Poppy O’Toole (aka Poppy Cooks) shares her life in food

Sarah Gill

Image / Self / Parenthood
premium
SELF

The eroticisation of pregnancy and motherhood


by Kate Demolder
11th Apr 2022

Annie Leibovitz Vogue photoshoot. Source: Instagram

Demi Moore’s ‘Vanity Fair’ pregnancy cover flipped the the old virginal myth, showcasing that women can still be considered sexual objects when they’re mothers. Since then, pregnant women are deemed the last untapped market and the advertising world is telling women you can and should look sexually desirable. But who benefits from this narrative and are photographs from Rihanna and others helping or hindering women?

It all started with Demi Moore. The year was 1991 and the then-28-year-old actress, fresh from the success of her romantic megahit Ghost, found herself on the cover of Vanity Fair. The film, anyone will tell you, was shot throughout Moore’s period of pregnancy. The photographs, taken by Annie Leibovitz, emphasise this, covering a multitude. Her short, raven crop cuts just above her soaring cheekbones, her hazel eyes piercing through the camera’s gaze. She is,...

You have reached a premium article.

For unlimited digital access to the stories worth paying for, subscribe now to IMAGE from just €4.99 a month
Subscribe