This Wicklow home is full of rich colours and luxurious finishes
This Wicklow home is full of rich colours and luxurious finishes

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This gorgeous three-bedroom home is currently on the market for €565,000
This gorgeous three-bedroom home is currently on the market for €565,000

Sarah Finnan

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The IMAGE staffers share their favourite perfumes on the market right now

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8 great podcasts and audiobooks to listen to while you’re on the road this autumn
8 great podcasts and audiobooks to listen to while you’re on the road this autumn

IMAGE

What to bake this weekend: Pecan praline brownies
What to bake this weekend: Pecan praline brownies

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Aoife Dunican on the art of nailing bright and bold style
Aoife Dunican on the art of nailing bright and bold style

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Cillian Murphy’s book about empathy is essential reading for everyone
Cillian Murphy’s book about empathy is essential reading for everyone

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‘Compelling storytelling and myth-making are what make a brand last’

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From Delhi to Dublin: Shreya Aggarwal’s inspiring career in data analytics
From Delhi to Dublin: Shreya Aggarwal’s inspiring career in data analytics

Leonie Corcoran

This dreamy East Cork period home is on the market for €775,000
This dreamy East Cork period home is on the market for €775,000

Megan Burns

Image / Self / Parenthood
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SELF

The eroticisation of pregnancy and motherhood


by Kate Demolder
11th Apr 2022

Annie Leibovitz Vogue photoshoot. Source: Instagram

Demi Moore’s ‘Vanity Fair’ pregnancy cover flipped the the old virginal myth, showcasing that women can still be considered sexual objects when they’re mothers. Since then, pregnant women are deemed the last untapped market and the advertising world is telling women you can and should look sexually desirable. But who benefits from this narrative and are photographs from Rihanna and others helping or hindering women?

It all started with Demi Moore. The year was 1991 and the then-28-year-old actress, fresh from the success of her romantic megahit Ghost, found herself on the cover of Vanity Fair. The film, anyone will tell you, was shot throughout Moore’s period of pregnancy. The photographs, taken by Annie Leibovitz, emphasise this, covering a multitude. Her short, raven crop cuts just above her soaring cheekbones, her hazel eyes piercing through the camera’s gaze. She is,...

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