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A day in the life of an Irish photographer at Copenhagen Fashion Week
Image / Style / Fashion / Irish Design

Josh Barrett

A day in the life of an Irish photographer at Copenhagen Fashion Week


by Josh Barrett
06th Feb 2025

Josh Barrett takes us with him inside a day in the life of a photographer at Copenhagen Fashion Week.

A coffee and cardamom bun are always needed to start my days off shooting Copenhagen Fashion Week, and Darcy’s Kaffe always provides that. After my fuel for the morning is in the tank, I set off for my first show of the day, Danish brand A.Roege Hove. The metro provides me with the perfect transport, a much-needed break from the on-again off-again public transport system of Dublin that I’m used to. The weather is a perfect blend of summer sun and winter breeze. I expected it to be colder during the day, so the warmth is a welcome surprise, or perhaps it’s just me being hopelessly optimistic as an Irish person.

I arrive outside the show with plenty of time to shoot some street style of the various press and fashion week alumni waiting to enter the venue. There is always a large group of photographers outside shooting at these shows and today was no different. It can be quite daunting at first when everyone is trying to get that perfect shot, people walking across the front of your lens, elbows in your face as you gently nudge the camera in between different heads to try and get the shot that’s in your head. However, you quickly adapt, and I have learned to adapt quickly when a part of this group of photographers.

The lighting changes often with the winter sun being quite harsh and the shadows being as dark as ever. My thumb is constantly scrolling through the settings of my camera, changing as constantly as the light changes. When everyone is inside, the door opens, and a woman beckons for anyone else outside to come in and watch the show from standing. Myself and a number of photographers and other fashion alumni proceed towards the door hastily. Two flights of stairs and a long corridor later I am positioned nicely on the photo platform with the other photographers ready and waiting for the show to begin. Once the show starts it usually lasts between fifteen and twenty minutes. When the show is finished, I make my way outside the venue to shoot some more street-style looks.

I hop back on the metro to get to the next venue, giving myself just enough time to get there before the show is scheduled to start. However, the shows tend to run late as the day goes on. Since I don’t have an invitation for every show, I mainly shoot street style outside the shows. Street style for me offers more variety in what I can shoot than a runway show does. Depending on what direction I’m shooting in there is more background options on the street than in a show and there is also a bigger variety of outfits to shoot. I tend to look out for outfits that stand out, perhaps a certain detail or design, something I can zoom in on, a brooch or an accessory that pops out. It’s always interesting to see what designs people are wearing.

In between shows, I try to grab a snack at 7eleven consisting of a Vitamin Well and a cinnamon roll. Not the greatest source of sustenance but a solid snack. I don’t like carrying bags with me as I go from show to show, so I try to travel as light as possible. For this Fashion Week, I travel between shows with just my camera around my shoulders, an extra battery and SD cards in my pocket. When I need a flash and my wider lens, I make time to quickly go back to my accommodation and grab them along with a small shoulder bag to carry them in. I tend to travel quickly between locations, so I don’t want to be burdened with a heavy bag to carry.

I arrive a few minutes early to the Rolf Ekroth show. I saw his show back in August, so I was excited to see what his team had designed for this season. When I go inside the venue, the photo platform facing the runway is already very full so I make my way to the other side of the platform where it’s empty, but I don’t have a head-on shot of the models. This however isn’t a bad thing as it forces me to be more creative with the angles and not just shoot the models head-on. The show is filled to the brim with fashion alum. Every inch of the venue is covered with invitees in every corner eagerly waiting for the show to start.

As the overhead lights went dark and music began to play out through the speakers, the noise from the alluring fashion fans died down and as the first models appeared donning fresh designs for the new year and drenched in spotlights from above, attention quickly went to phones to record and photograph the ongoing fashion show. As the designers and team behind the Rolf Ekroth show finished their bows, the crowds began to disappear as quickly as they had gathered. I head out into the cold Copenhagen evening and make my way to the 2a bus. A fifteen-minute packed out bus ride later I’m hopping on the M3 metro back to my accommodation.

My evenings at Copenhagen Fashion Week are always spent editing and backing up photos to my hard drive, joined by a sourdough pizza and an episode of Seinfeld, respectively. When editing I try not to take too long so that I can get a full night’s sleep. However, my perfectionist attitude always takes over and the hours slip by as I tiredly edit my photographs. After a few hours of editing the tiredness takes over and I head to bed, ready to wake up and do it all over again in the morning.

Photography by Josh Barrett, josshhbarrett.com.

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